I began to feel at home, no matter where on the neck I was playing, and my playing became so much more natural – the notes weren’t guided by knowledge, but by “feel,” and by ear.Īnd I eventually experienced freedom and expression in my playing that I never knew I had in me. I began to understand how things like tone, intonation, vibrato, phrasing, and articulation are just as important as playing the right notes.Īnd I finally saw how keys, chords, and scales relate to each other and could be brought together to add a new dimension to my playing – without giving it too much thought. ![]() However, eventually I discovered the missing pieces that transformed my playing.įrom that time on, things started to come together in a way that made me see my guitar in a whole new light.įor example, the pentatonic scale was no longer just a simple scale to me, but it became a springboard for unlimited creativity. When I listened to more experienced players, there was still something “more” in their playing compared to my own, though I couldn’t really put my finger on exactly what I was missing. I remember when things on the electric guitar really started to “click” for me.Īt the time, I was already pretty comfortable with basics like chords and scales, I could play in a variety of different styles, and with practice I was able to nail some more challenging solos.īut even though I was having lots of fun, I still wasn’t able to play as fluently or as expressively as I wanted.
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